COLLECTION NAME:
JCB Archive of Early American Images
mediaCollectionId
JCB~1~1
JCB Archive of Early American Images
Collection
true
Accession number:
30289
accession_no
30289
Accession number
false
Record number:
30289-103
record_number
30289-103
Record number
false
JCB call number:
Codex Ind 2
jcb_call_no
Codex Ind 2
JCB call number
false
Image title:
2a Templo del ydolo Uitzilopuchtli
image_title
2a Templo del ydolo Uitzilopuchtli
Image title
false
Place image published:
[Mexico]
place_image_published
[Mexico]
Place image published
false
Image date:
[ca. 1585]
image_date
[ca. 1585]
Image date
false
Image function:
plate; recto leaf 122
image_function
plate; recto leaf 122
Image function
false
Technique:
painting
technique
painting
Technique
false
Image dimension height:
13.8 cm.
image_dimensions_height
13.8 cm.
Image dimension height
false
Image dimension width:
19.4 cm.
image_dimensions_width
19.4 cm.
Image dimension width
false
Page dimension height:
21 cm.
page_dimensions_height
21 cm.
Page dimension height
false
Page dimension width:
15.2 cm.
page_dimensions_width
15.2 cm.
Page dimension width
false
Materials medium:
watercolor
materials_medium
watercolor
Materials medium
false
Materials support:
paper
materials_support
paper
Materials support
false
Languages:
Spanish, Nahuatl
languages
Spanish, Nahuatl
Languages
false
Description:
At left is a temple or pyramid surmounted by the images of two gods flanked by native Americans or Mexicans. On the temple is an image of Huitzilopochtli on the right and an image of Tlaloc holding a turqoise serpent on the left. The temple is surrounded by a wall of serpents swallowing one another's heads. At right is a tzompantli or Aztec skull rack.
description
At left is a temple or pyramid surmounted by the images of two gods flanked by native Americans or Mexicans. On the temple is an image of Huitzilopochtli on the right and an image of Tlaloc holding a turqoise serpent on the left. The temple is surrounded by a wall of serpents swallowing one another's heads. At right is a tzompantli or Aztec skull rack.
Description
false
Source creator:
Tovar, Juan de, ca. 1546-ca. 1626
source_creator
Tovar, Juan de, ca. 1546-ca. 1626
Source creator
false
Source Title:
Historia de la benida de los yndios apoblar a Mexico de las partes remotas de Occidente los sucessos y perigrinaçiones del camino su gouierno, ydolos y templos dellos, ritos y cirimonias ... calandarios delos tiempos
source_title
Historia de la benida de los yndios apoblar a Mexico de las partes remotas de Occidente los sucessos y perigrinaçiones del camino su gouierno, ydolos y templos dellos, ritos y cirimonias ... calandarios delos tiempos
Source Title
false
Source place of publication:
Mexico
source_place_of_publication
Mexico
Source place of publication
false
Source date:
ca. 1585
source_date
ca. 1585
Source date
false
notes:
Huitzilopochtli, whose name means "Blue hummingbird on the left," was the Aztec god of the sun and war. The turquoise or fire serpent (xiuhcoatl) was his mystical weapon. Tlaloc, the god of rain and agriculture, was of pre-Aztec, or Toltec, origin. A coatepantli or wall made of sculpted serpents often surrounds Aztec temples. The tzompantli would hold the skulls of sacrificial victims. The great temple at Tenochtitlan was surmounted by two sanctuaries--the one on the left dedicated to Tlaloc, the one on the right to Huitzilopochtli. Image is placed horizontally on page. The Tovar manuscript is divided into three sections. This second section of the manuscript--an illustrated history of the Aztecs--is essentially the same as the Codex Ramírez and forms the main body of the manuscript.
notes
Huitzilopochtli, whose name means "Blue hummingbird on the left," was the Aztec god of the sun and war. The turquoise or fire serpent (xiuhcoatl) was his mystical weapon. Tlaloc, the god of rain and agriculture, was of pre-Aztec, or Toltec, origin. A coatepantli or wall made of sculpted serpents often surrounds Aztec temples. The tzompantli would hold the skulls of sacrificial victims. The great temple at Tenochtitlan was surmounted by two sanctuaries--the one on the left dedicated to Tlaloc, the one on the right to Huitzilopochtli. Image is placed horizontally on page. The Tovar manuscript is divided into three sections. This second section of the manuscript--an illustrated history of the Aztecs--is essentially the same as the Codex Ramírez and forms the main body of the manuscript.
notes
false
Time Period:
1492-1600
time_period
1492-1600
Time Period
false
References:
Lafaye, J. Manuscript Tovar, p. 277; Gruzinski, S. Painting the Conquest, p. 64
references_
Lafaye, J. Manuscript Tovar, p. 277; Gruzinski, S. Painting the Conquest, p. 64
References
false
Provenance/Donor:
Acquired from the collection of Sir Thomas Phillipps in 1946.
provenance_or_donor
Acquired from the collection of Sir Thomas Phillipps in 1946.
Provenance/Donor
false
Owner and copyright:
©John Carter Brown Library, Box 1894, Brown University, Providence, R.I. 02912
owner_and_copyright
©John Carter Brown Library, Box 1894, Brown University, Providence, R.I. 02912
Owner and copyright
false
Commentary:
commentary
<a href="mailto:Susan_Danforth@brown.edu">Add a comment</a>
Commentary
false
geographic area:
Spanish America
geographic_areas
Spanish America
geographic area
false
Subject Area:
Artifacts, industry, and human activities
subject_groups
Artifacts, industry, and human activities
Subject Area
false
Subject Area:
Indigenous peoples
subject_groups
Indigenous peoples
Subject Area
false
Subject headings:
Mexico--History--To 1519
subject_heads
Mexico--History--To 1519
Subject headings
false
Subject headings:
Indians of Mexico
subject_heads
Indians of Mexico
Subject headings
false
Subject headings:
Aztec gods
subject_heads
Aztec gods
Subject headings
false