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1657
PROGNOSTIC MERVEILLEUX, Sur
War of Devolution.
[Paris].
| Title |
PROGNOSTIC MERVEILLEUX, Sur l'estrange maladie du sieur Dom Diego Davalos. |
| Image technique |
Etching. |
| Narrative description |
Greedy Spain, attended by France, Holland, Sweden, England, etc.,vomits her ill-gotten possessions. Images include: America as an Indian, Asia as a woman, Britain as a cavalier, Conscience as a prostrate ghost, Europe as a woman, France as a cavalier, France as a surgeon, Holland as a sailor, Italy as a cavalier, Spain as Don Diego Davalos, Sweden as a cavalier, Sweden as a doctor. |
| Subject |
War of Devolution. |
|
1720
The BUBBLERS bubbl'd or the
South Sea Bubble
[London]. Sold by the Prints
| Title |
The BUBBLERS bubbl'd or the DEVIL take the HINDMOST |
| Image technique |
Engraving |
| Narrative description |
Investment schemes. Images include: the Amsterdam stock exchange, investors. |
| Subject |
South Sea Bubble |
|
1737
THE EUROPEAN RACE HEAT 1.st
European balance of power
[London]. Publish'd accordin
| Title |
THE EUROPEAN RACE HEAT 1.st ANNO DOM. MDCCXXXVII Humbly inscrib'd to ye Politicians of Great Britain, France, Spain, Rusia, Turky, Germany, Italy Holland and Corsica, by their most Obedient Servant. An Englishman |
| Image technique |
Etching |
| Narrative description |
A race with England in last place. Criticism of Horace Walpole's supposed intrigue with France. References to Spanish depredations on English ships and cruelties inflicted upon Englishmen by the Spanish. Images include: Europe, Asia, Africa, and America as judges, Britain as a tethered bulldog, Britain as a lion, the Devil, Cardinal André-Hercule de Fleury of France as a fox, Holland riding a boar, King of Hungary riding an eagle, Russia as a bear, Winged Time, Turkey on an elephant. |
| Subject |
European balance of power |
|
1738
THE EUROPEAN RACE
European balance of power
[London]. Publish'd accordin
| Title |
THE EUROPEAN RACE |
| Image technique |
Etching |
| Narrative description |
A race with England in last place at Gilbratar. Criticism of Horace Walpole's supposed intrigue with France. References to Spanish depredations on English ships and cruelties inflicted upon Englishmen by the Spanish. Images include: Europe, Asia, Africa, and America as judges, Britain as a saddled lion, the dogs of Europe fighting over spoils with the true English breed [a mastiff] separated and facing away from the action, the Devil, Cardinal André-Hercule de Fleury of France as a fox, Holland riding a boar, King of Hungary riding an eagle, Russia as a bear, Winged Time, Turkey on an elephant, King Theodore the 1st thrown from his horse, and the Pope (the monkey) on the distance post wears the papal crown or tiara. The British navy stands idle in the harbor. |
| Subject |
European balance of power |
|
1738
THE EUROPEAN RACE
European balance of power
[London]. Publish'd accordin
| Title |
THE EUROPEAN RACE |
| Image technique |
Etching |
| Narrative description |
A race with England in last place at Gilbratar. Criticism of Horace Walpole's supposed intrigue with France. References to Spanish depredations on English ships and cruelties inflicted upon Englishmen by the Spanish. Images include: Europe, Asia, Africa, and America as judges, Britain as a saddled lion, the dogs of Europe fighting over spoils with the true English breed [a mastiff] separated and facing away from the action, the Devil, Cardinal André-Hercule de Fleury of France as a fox, Holland riding a boar, King of Hungary riding an eagle, Russia as a bear, Winged Time, Turkey on an elephant, King Theodore the 1st thrown from his horse, and the Pope (the monkey) on the distance post does not wear the papal crown or tiara. The British navy stands idle in the harbor. |
| Subject |
European balance of power |
|
1739
THE EUROPEAN RACE HEAT IIId.
European balance of power
[London]. According to the l
| Title |
THE EUROPEAN RACE HEAT IIId. ANNO DOM. MDCCXXXIX. Inscrib'd to the Greatest Politician in Europe, By his most Obedt. Humble Servt. An Englishman. |
| Image technique |
Engraving |
| Narrative description |
A race course near the seashore. Criticism of the Treaty of Pardo, which left undecided the question of France's right to search British ships navigating in American waters. Images include: Europe, Asia, Africa, and America as judges, Emperor of Austria-Hungary as as an eagle, Britain as a bulldog, Britain as a saddled lion led by an ape, British navy idle, the Devil, Elizabeth I, Queen of England, Cardinal André-Hercule de Fleury as "Universal Monarchy", Fort Mahon, France as a monkey, Russia as a bear, Spain riding a wolf, Turkey on an elephant. |
| Subject |
European balance of power |
|
1740
THE EUROPEAN STATE JOCKIES R
European balance of power Wa
[London]
| Title |
THE EUROPEAN STATE JOCKIES Running a Heat for the BALLANCE OF POWER, with various designs adapted for the Year 1740. |
| Image technique |
Engraving |
| Narrative description |
A race by the seashore. Britain challenges Spain in the West Indies. Images include: America, Africa, Europe, and Asia as judges, Russia on a bear, Turkey on an elephant, Sultan of Turkey, scales of power, Cardinal André-Hercule de Fleury, Spain thrown from a wolf, British lion, Holland smoking a pipe accompanied by a hog laden with merchandise, Elector of Bavaria, King of Hungary on an eagle, Captain Robert Jenkins with his severed ear. |
| Subject |
European balance of power War of Jenkins' Ear |
|
1740
The EVIL GENIUS of ENGLAND R
War of Jenkins' Ear
[London]
| Title |
The EVIL GENIUS of ENGLAND Represented in Several SCENES relating to the War |
| Image technique |
Engraving |
| Narrative description |
Ineffectiveness of English response to Spain is ascribed to "evil genius" and incompetent statesmen whose positions were attained by privilege. Images include: "evil genius", Admiral Edward Vernon, British politicians, British people. |
| Subject |
War of Jenkins' Ear |
|
1755
BRITISH RESENTMENT or the FR
Seven Years' War
[London]. Publishd According
| Title |
BRITISH RESENTMENT or the FRENCH fairly COOPT at Louisbourg |
| Image technique |
Etching, colored |
| Narrative description |
Celebration of British victories over France in North America. English blockade of Louisbourg, Nova Scotia. Images include: America as an Indian, Britannia, Britain as a lion, British coat-of-arms, French coat-of-arms, France as a cock, the "people of France" as politicians, people of Louisbourg, caged, Mars, Neptune, Niagara Falls, British sailors, British soldiers, British navy, English rose, thriving, French lily dying. |
| Subject |
Seven Years' War |
|
1755
BRITISH RESENTMENT or the FR
Seven Years' War
[London]. Publishd According
| Title |
BRITISH RESENTMENT or the FRENCH fairly COOPT at Louisbourg |
| Image technique |
Etching, colored |
| Narrative description |
Celebration of British victories over France in North America. English blockade of Louisbourg. Images include: America as an Indian, Britannia, Britain as a lion, British coat-of-arms, French coat-of-arms, France as a cock, the "people of France" as politicians, people of Louisbourg, caged, Mars, Neptune, Niagara Falls, British sailors, British soldiers, British navy, English rose, thriving, French lily dying. |
| Subject |
Seven Years' War |
|
1755
BRITAIN'S RIGHTS maintaind,
Seven Years' War
[London]. Publishd According
| Title |
BRITAIN'S RIGHTS maintaind, or FRENCH AMBITION dismantled. Addrest to the Laudable Societys of ANTI-GALICANS, The generous Promoters of British Arts & Manufactories By ... a lover of His country. |
| Image technique |
Etching |
| Narrative description |
Celebration of British victories in North America. Images include: America as an Indian, Britain as Jack Tar, Britain as a lion, Britannia, France as a cock, "genius" of France as a politician, France as a weeping woman, Mars, Neptune, British people celebrating. |
| Subject |
Seven Years' War |
|
1755
THE THREE RENOWNED HIBERNIAN
Seven Years' War
[London]
| Title |
THE THREE RENOWNED HIBERNIAN HEROES |
| Image technique |
Etching |
| Narrative description |
Celebration of the victories of William Blakeney, Sir Peter Warren, and Sir William Johnson. |
| Subject |
Seven Years' War |
|
1755
THE GRAND MONARQUE in a Frig
Seven Years' War
[London]
| Title |
THE GRAND MONARQUE in a Fright: Or the BRITISH LION rous'd from his Lethargy |
| Image technique |
Etching |
| Narrative description |
British confrontation with France over North America. Images include: M. de Argenson [perhaps Marc-Pierre de Voyer de Paulmy d'Argenson], Britain as a lion, Britannia, Jacques-Pierre de Taffanel, Marquis de la Jonquière (French governor of New France), Louis XV, King of France (1715-1774), British navy, Thomas Pelham-Holles, Duke of Newcastle. |
| Subject |
Seven Years' War |
|
1756
[An effigy of an unpopular m
British political scene
[London]
| Title |
[An effigy of an unpopular minister being led to the gallows on horseback]. |
| Image technique |
Etching |
| Narrative description |
Fall of the Newcastle and Fox administration, (November 1756). Images include: London street mob. |
| Subject |
British political scene |
|
1756
THE ENGLISH LION DISMEMBER'D
Seven Years' War
[London]. Publish'd accordin
| Title |
THE ENGLISH LION DISMEMBER'D Or the Voice of the Public for an enquiry into the loss of Minorca–with Adl. B[yn]g's plea before his Examiners. |
| Image technique |
Etching, colored |
| Narrative description |
Assigning the blame for British territorial losses. British reaction to the loss of Minorca and to French encroachment in North America. Court martial of Admiral John Byng. Images include: Great Britain s a lion, Lord Mayor of London, Hanoverian soldiers, France as a cock shredding the British flag, British people, English politicians, French politicians. |
| Subject |
Seven Years' War |
|
1756
A COURT CONVERSATION
British political scene
[London]
| Title |
A COURT CONVERSATION |
| Image technique |
Etching |
| Narrative description |
Fall of Newcastle and Fox administration (November 1756). Images include: Admiral George Anson as a goose, Admiral John Byng hung in effigy, Hardwicke, ?, Henry Fox, Lord Holland, as a fox, Thomas Pelham-Holles, Duke of Newcastle, seige of Port Mahon, Baron George Lyttelton, map of North America. |
| Subject |
British political scene |
|
1756
A Nurse for the Hess[ia]ns
Seven Years' War
[London]
| Title |
A Nurse for the Hess[ia]ns |
| Image technique |
Engraving |
| Narrative description |
Hessian mercenaries hired to help protect England in the event of a French invasion will strip the country of its wealth. Images include: Hessian soldiers (mercenaries), Britain as a nurse. |
| Subject |
Seven Years' War |
|
1757
THE RECRUITING SERJEANT OR B
Seven Years' War
[London]
| Title |
THE RECRUITING SERJEANT OR BRITTANNIAIS[sic] HAPPY PROSPECT. |
| Image technique |
Etching, colored |
| Narrative description |
Fox's efforts to form a government after the dismissal of Pitt and Legge is compared with a military procession to recruit soldiers. Images include: Prince William, Duke of Cumberland, as a statue, Mr. Duddington, Henry Fox, Lord Holland, as a fox, Wellbore Ellis, Lord Mendip, as a drummer, John Montague, Earl Sandwich, Earl of Winschelsea. |
| Subject |
Seven Years' War |
|
1757
THE TRIUMPH OF CAESAR.
Seven Years' War
[London]
| Title |
THE TRIUMPH OF CAESAR. |
| Image technique |
Etching |
| Narrative description |
Criticism of the Duke of Cumberland (shown driving a farm cart) for his focus on the "turnip farms" of Hanover to the neglect of British interests in North America. images include: Prince William, Duke of Cumberland, Henry Fox, Lord Holland, Thomas Pelham-Holles, Duke of Newcastle, King of Prussia. |
| Subject |
Seven Years' War |
|
1757
The Recruiting Serjeant, or
Seven Years' War
[London]
| Title |
The Recruiting Serjeant, or Britannias Happy Prospect. |
| Image technique |
Engraving. |
| Narrative description |
Fox's efforts to form a government after the dismissal of Pitt and Legge is compared with a military procession to recruit soldiers. Images include: Prince William, Duke of Cumberland, as a statue, a Mr. Duddington, Henry Fox, Lord Holland, as a fox, Wellbore Ellis, Lord Mendip, as a drummer, John Montague, Earl Sandwich, Earl of Winschelsea. |
| Subject |
Seven Years' War |
|
1757
WITHOUT. From the London Eve
Seven Years' War
[London]. Published accordin
| Title |
WITHOUT. From the London Evening Post of Saturday June 11, 1757. |
| Image technique |
Etching, colored |
| Narrative description |
Criticism of British government policies that supposedly leave the country suffering starvation and idleness. Images include: American colonists under attack by French and Indians, British people in poverty, British bishops as gamblers and drunks, British counselors as geese, British nobility as thieves, British politicians as thieves, British sailors begging, British soldiers idle, British navy idle. |
| Subject |
Seven Years' War |
|
1759
BRITONS GLORY, OR Admiral [H
Seven Years' War
[London]. Published accordin
| Title |
BRITONS GLORY, OR Admiral [Hawke] Triumphant. |
| Image technique |
Etching |
| Narrative description |
Celebration of successful naval engagement at Belle Isle between Admiral Edward Hawke and French Admiral Hubert de Brienne, comte de Conflans that prevented an invasion of England and weakened the naval power of France. Images include: Britannia, Baron Edward Hawke, Louis XV, King of France (1715-1774), British sailor. |
| Subject |
Seven Years' War |
|
1761
Merit Triumphant over Factio
Seven Years' War
[London]
| Title |
Merit Triumphant over Faction, A Monument to Perpetuate the Glorious Success of the British Arms under the Administration of our Late Worthy Patriot Minister. |
| Image technique |
Etching |
| Narrative description |
Celebration of British victories during William Pitt, Earl Chatham's, administration. Pitt's political enemies are attacked for endangering the war effort. Images include: Duke of Bedford, Britannia, François de Bussy (of France), Fame, Lord Mayor of London, Truth, Thomas Pelham-Holles, Duke of Newcastle, British sailor, Father Time. |
| Subject |
Seven Years' War |
|
1761
OLD TIME'S advice to BRITANN
Seven Years' War
[London]. Publish'd Accordin
| Title |
OLD TIME'S advice to BRITANNIA Or ENGLISH REFLECTIONS on G[ER]M[A]N CONECTIONS. |
| Image technique |
Etching, in red ink. |
| Narrative description |
England and Germany face off across the water. Criticism of William Pitt, Earl Chatham, for expense of hiring German mercenaries to fight against France. Images include: Britannia, Marquis of Granby, Hessian soldiers, British navy, British sailor. |
| Subject |
Seven Years' War |
|
1762
The CALEDONIAN MARCH and EMB
Seven Years' War Bute Admini
London
| Title |
The CALEDONIAN MARCH and EMBARKATION. |
| Image technique |
Etching. |
| Narrative description |
Scotsmen emigrating. Alleged abuse of government patronage by John Stuart, Earl of Bute, upon his accession to the Treasury after William Pitt's resignation (October 1761). |
| Subject |
Seven Years' War Bute Administration (May 1762-April 1763) |
|
1762
The loaded BOOT or, Scotch p
Seven Years' War Bute Admini
[London]
| Title |
The loaded BOOT or, Scotch preferment in Motion or Monsieurs will you ride. |
| Image technique |
Etching |
| Narrative description |
Preliminary Peace with France (November 3, 1762). The "jack boot of State." Criticism of Bute and Scottish influence on the terms of the proposed peace settlement with France. Images include: Duke of Bedford, John Stuart, Earl of Bute, as a boot, Prince Charles Edward Stuart (the Young Pretender) pushing a cart, Charlotte, Queen of Great Britain, as a zebra, William Cavendish, Duke of Devonshire, George III, King of Great Britain, as a white horse, George Grenville, Holdernesse, Order of the Garter, Henry Fox, Lord Holland, as a fox, the Princess of Wales on wheels as the "Scotch State Machine." |
| Subject |
Seven Years' War Bute Administration (May 1762-April 1763) |
|
1762
THE EVACUATION, or AN EMETIC
Seven Years' War Bute Admini
[London]
| Title |
THE EVACUATION, or AN EMETIC for OLD ENGLAND, by a SCOT. |
| Image technique |
Etching |
| Narrative description |
Britannia attended by a doctor. Criticism of Bute's proposed terms for peace with France. Images include: Britannia blindfolded and wrapped in a tartan, John Stuart, Earl of Bute as an ass's head, France as M. Lewis Baboon, Henry Fox, Lord Holland with a clyster pipe and a pipe, liberty cap, Duc de Nivernois, Tobias Smollet as a doctor, Peace as a bubble. |
| Subject |
Seven Years' War Bute Administration (May 1762-April 1763) |
|
1762
THE CONGRESS, OR, A DEVICE t
Seven Years' War Bute Admini
[London]. Publish'd accordin
| Title |
THE CONGRESS, OR, A DEVICE to lower the LAND-TAX. To the TUNE of, Doodle, Doodle, Do, &c. |
| Image technique |
Etching |
| Narrative description |
Criticism of the peace between England and France concluded by Bute's ministry in 1763. Images include: Britain as a chained lion held by a Frenchman, John Stuart, Earl of Bute, under the standard of England, the standard of England as the Princess of Wales' petticoat and a boot, English Glory, entombed. |
| Subject |
Seven Years' War Bute Administration (May 1762-April, 1763) |
|
1762
The TEMPEST or ENCHANTED ISL
Seven Years' War Bute Admini
[London]
| Title |
The TEMPEST or ENCHANTED ISLAND. |
| Image technique |
Etching |
| Narrative description |
Treaty of Paris. Bute and the Dowager Princess of Wales are thrown into the air by exploding mines. Criticism of peace terms with France. Images include: Britannia, John Stuart, Earl of Bute, William Pitt, Earl Chatham, William Augustus, Duke of Cumberland (George III's brother), Henry Fox, Lord Holland, as a fox, William Murray, Earl Mansfield, the Monitor, Arthur Murphey (well-known comic dramatist), Tobias Smollett attacked by the British lion, Duke of York, the Dowager Princess of Wales. |
| Subject |
Seven Years' War Bute Administration (May 1762-April 1763) |
|
1762
the LAIRD of the Posts or th
British political scene Bute
[London]
| Title |
the LAIRD of the Posts or the BONNETT'S EXALTED. |
| Image technique |
Etching |
| Narrative description |
Musical chairs. A satire on the accession of Bute to the post of Prime Minister and a criticism of his perceived abuse of the position in favor of his Scottish countrymen. Images include: William Pitt, Earl Chatham as a pit, John Stuart, Earl of Bute, in highland dress, Scots in highland dress. |
| Subject |
British political scene Bute Administration (May 1762-April 1763) |
|
1762
The Laird of the BOOT, or Ne
Seven Years' War Bute Admini
[London]
| Title |
The Laird of the BOOT, or Needs must when the De'el drives. |
| Image technique |
Engraving |
| Narrative description |
Coaching scene. Criticism of Bute's influence in peace negotiations with France. Images include: Britannia with fallen sword and shield, John Stuart, Earl of Bute, in the Dowager Princess of Wales's petticoats, Henry Fox as a postilion, Charlotte, Queen of Great Britain, as a lioness in a carriage, William Pitt, Earl Chatham, Duke of Cumberland (George III's brother) thrown from his horse, "Hanover;" George III, King of Great Britain, as a lion, Thomas Pelham-Holles, Duke of Newcastle, William Murray, Earl Mansfield as a Scottish jockey, Princess of Wales driving a carriage, Scotch bonnet. |
| Subject |
Seven Years' War Bute Administration (May 1762-April 1763) |
|
1762
SIC TRANSIT GLORIA MUNDI.
British political scene Bute
[London]
| Title |
SIC TRANSIT GLORIA MUNDI. |
| Image technique |
Etching |
| Narrative description |
William Pitt blowing bubbles. Satire intended to discredit Pitt, probably published by Bute's party. Images include: man on platform carving a liberty cap from a crown, Palace Yard, Westminster, William Pitt, Earl of Chatham, astride a bubble and blowing bubbles. |
| Subject |
British political scene Bute Administration (May 1762-April1763) |
|
1762
A Prophesy. The COACH OVERTU
Seven Years' War Bute Admini
[London]
| Title |
A Prophesy. The COACH OVERTURN'D or the fall of MORTIMER. |
| Image technique |
Etching |
| Narrative description |
Treaty of Paris. Criticism of Bute and the terms of the peace. Images include: America as a horse, William Beckford, Lord Mayor of London, Britannia, John Stuart, Earl of Bute, as Roger Mortimer, Earl of March, William Pitt, Earl of Chatham, Charlotte, Queen of Great Britain, as a lioness, Charles Churchill in clerical robes, Duke of Cumberland (George III's brother), Germany, as a horse, Marquis of Granby as a cavalry officer, the island of Guadeloupe as a horse, William Hogarth prostrate, Henry Fox, Lord Holland, John Campbell, Earl of Loudoun, William Murray, Earl of Mansfield, Island of Martinique as a horse, Arthur Murphey (well-known comic dramatist, his political paper, The Auditor, supported Bute's administration) as the "auditor", Thomas Pelham-Holles, Duke of Newcastle, the North Briton as a cannon, Pondicherry, India, as a horse, Quebec, as a horse, Tobias Smollett as the "Briton." |
| Subject |
Seven Years' War Bute Administration (May 1762-April 1763) |
|
1762
Britannia guided by Justice
Seven Years' War Bute Admini
[London]
| Title |
Britannia guided by Justice & c. c. c. |
| Image technique |
Etching |
| Narrative description |
Bute Administration (May 1762-April 1763). Rare satire in support of John Stuart, Earl of Bute, the "favorite' who became Prime Minister May 29, 1762. British successes in North America. Images include: Britannia, Justice on a pedestal, John Stuart, Earl of Bute, with a laurel wreath, the Royal Exchange. |
| Subject |
Seven Years' War Bute Administration (May 1762-April 1763) |
|
1762
To the KING of the CHEROKEES
British political scene Bute
[London]
| Title |
To the KING of the CHEROKEES a Lover of Englishmen this Print is Inscribed by His Most Obedient Slave the Author. |
| Image technique |
Etching |
| Narrative description |
Inside and outside the Treasury Building, Whitehall. Criticism of Bute and Scottish influence in general. Images include: Treasury Building, Whitehall, Henry Fox, Lord Holland, Tobias Smollett, Scots robbing the Treasury, John Stuart, Earl of Bute. |
| Subject |
British political scene Bute Administration (May 1762-April 1763) |
|
1762
An Hieroglyphical, Enigmatic
Seven Years' War Bute Admini
[London]
| Title |
An Hieroglyphical, Enigmatical, & Paradoxical Address, to the Laird of the [boot] relative to the Loss of NEWFOUNDLAND. |
| Image technique |
Engraving |
| Narrative description |
Rebus letter addressed to John Stuart, Earl of Bute, on the subject of Britain's loss of Newfoundland to France. |
| Subject |
Seven Years' War Bute Administration (May 1762-April 1763) |
|
1763
IT'S ALL OF A PEACE, or Fren
Seven Years' War Bute Admini
[London]
| Title |
IT'S ALL OF A PEACE, or French Leuisdores [sic] for English Bricks. |
| Image technique |
Etching |
| Narrative description |
Treaty of Paris. Alleged corruption of Bute's ministry, which is accused of bartering away English gains without equivalent concessions from France. Images include: Britannia despondent, John Stuart, Earl of Bute, William Augustus, Duke of Cumberland (George III's brother), France fiddling, King of France, Henry Fox, Lord Holland, as a fox, Lansdowne House, City of London under clouds, City of Paris in sunshine, King of Spain. |
| Subject |
Seven Years' War Bute Administration (May 1762-April 1763) |
|
1764
THE ELECTION. A MEDLEY. Humb
British colonial politics
[Philadelphia]
| Title |
THE ELECTION. A MEDLEY. Humbly Inscribed, to Squire Lilliput Professor of SCURRILLITY. |
| Image technique |
Etching |
| Narrative description |
Colonial religious factions. The vote for assemblymen at the Old Court House, Philadelphia, 1764. Images include: Old Court House, Philadelphia. |
| Subject |
British colonial politics |
|
1765
SIX MEDALLIONS shewing the c
Stamp Act General Warrants T
[London]
| Title |
SIX MEDALLIONS shewing the chief national servises of his new Friends the old ministry. Inscribed to E[ar]l T[empl]e. |
| Image technique |
Etching |
| Narrative description |
Medallions depict various issues–the Treaty of Paris, Scottish influence in British politics, the Stamp Act and other taxes, and British domestic politics. Images include: America as a woman attacked, Britannia forced to her knees, John Stuart, Earl Bute, the Devil, France as a woman, George Grenville, Spain as a Roman soldier, Scotland as Scotia, Viscount George Townshend as a weathervane, Charles Yorke as Janus, William Murray, Lord Mansfield, as Lord Jeffries, Earl Temple in a fool's cap. |
| Subject |
Stamp Act General Warrants Tension between Britain and the American colonies |
|
1765
THE DEPLORABLE STATE of AMER
Stamp Act
[London]
| Title |
THE DEPLORABLE STATE of AMERICA or SC[OTC]H GOVERNMENT. |
| Image technique |
Etching |
| Narrative description |
Criticism of England's imposition of the Stamp Act on the American colonies and its implications for liberty and trade. Images include: America as an Indian, Britannia, John Stuart, Earl of Bute, as a boot, Stamp Act as Pandora's box, "wind of change", King of France, liberty cap, Liberty, prostrate, attacked by a snake, liberty tree, Loyalty, Mercury as Commerce, Minerva. |
| Subject |
Stamp Act |
|
1765
The last SHIFT.
Stamp Act Grenville Administ
[London]
| Title |
The last SHIFT. |
| Image technique |
Etching |
| Narrative description |
Criticism of Lord Bute, who was considered the instigator of the Stamp Act. Images include: American colonists, John Stuart, Lord Bute, George III, King of Great Britain. |
| Subject |
Stamp Act Grenville Administration (April, 1763-July 1765) |
|
1765
The Great Financier, or Brit
Stamp Act Grenville Administ
[London]
| Title |
The Great Financier, or British OEconomy for the Years 1763, 1764, 1765. |
| Image technique |
Etching |
| Narrative description |
Question of the legality of the General Warrants issued for the arrest of the authors, printers, and publishers of John Wilkes's North Briton, no. 45 (April 23, 1763), which was insulting to George III. General Warrants were eventually declared illegal. Images include: America as a burdened Indian, Britannia despondent, the Economy as a servant, ships for sale, William Pitt, Earl Chatham, on a crutch, George Grenville holding a scale, a prison, "Stamp Men," (tax collectors). |
| Subject |
Stamp Act Grenville Administration (April 1763-July 1765) General Warrants |
|
1765
The STATE of the NATION An:
Stamp Act General Warrants
[London]
| Title |
The STATE of the NATION An: Dom: 1765 &c. |
| Image technique |
Etching. |
| Narrative description |
A scene on the seashore. Britain leans against an angry America. The Stamp Act is criticized and the legality of the General Warrants is questioned. Images include: America as an Indian, Britannia in distress, John Stuart, Earl of Bute, Charles Pratt, Baron Camden, William Pitt, Earl Chatham with a liberty cap, George Grenville with a drawn sword, William Murray, Earl of Mansfield |
| Subject |
Stamp Act General Warrants |
|
1765
THE TOMB=STONE.
Stamp Act
London
| Title |
THE TOMB=STONE. |
| Image technique |
Etching |
| Narrative description |
Lament for the death of William Augustus, Duke of Cumberland (October 31, 1765). His adversaries dance on his tomb. Images include: America weeping, Duke of Bedford, Britannia weeping, the devil as a Scot, Discord, George Grenville, George Montagu Dunk, Earl of Halifax, John Montagu, Earl Sandwich, "Sejanus" (Bute), Dr. W. Scott as a dog in clerical dress ("Anti-Sejanus"), Ursa Major. |
| Subject |
Stamp Act |
|
1766
The TRIUMPH of America.
Chatham Administration (Augu
[London]
| Title |
The TRIUMPH of America. |
| Image technique |
Etching |
| Narrative description |
Pitt and the six leading members of his administration. Pitt drives a carriage carrying America. Images include: America as an Indian, Charles Pratt, Baron Camden, as the horse, "Prerogative", William Pitt, Earl Chatham, with a crown, H. S. Conway as the horse, "Prudence", Augustus Henry Fitzroy, Duke of Grafton, as the horse, "Royal Oak", Robert Henley, Earl Northingron, as the horse, "Prudence", William Petty, Earl Shelburne, as the horse, "Crafty", George, Viscount Townshend, as the horse, "Weathercock". |
| Subject |
Chatham Administration (August 1766-December 1767) |
|
1766
COMMON-WEALTH. The COLOSSUS
Stamp Act
[London]
| Title |
COMMON-WEALTH. The COLOSSUS |
| Image technique |
Etching |
| Narrative description |
Repeal of the Stamp Act and criticism of Pitt for accepting a peerage. Pitt on crutches spans the Atlantic from New England to London. The administration is criticized for allegedly encouraging revolt against the Stamp Act. Images include: William Pitt, Earl Chatham, as the Colossus, Earl Temple as Fame, New York, London, St. Stephen's chapel. |
| Subject |
Stamp Act |
|
1766
THE REPEAL.
Stamp Act
[London]
| Title |
THE REPEAL. |
| Image technique |
Engraving |
| Narrative description |
Repeal of the Stamp Act. Funeral procession with harbor in the background. Images include: Duke of Bedford, John Stuart, Earl of Bute(Sejanus), ships named for H. S. Conway, the Duke of Grafton, and Marquis Rockingham, George Grenville (Mr. George Stamp), George Montagu Dunk, Earl of Halifax, Sir Fletcher Norton, Baron Grantley, John Montagu, Earl Sandwich (Jemmy Twitcher), Dr. W. Scott (Anti-Sejanus), Earl Temple (Lord Gawkee), Alexander Wedderburn, Solicitor General. |
| Subject |
Stamp Act |
|
1766
THE REPEAL OR THE FUNERAL OF
Stamp Act
London
| Title |
THE REPEAL OR THE FUNERAL OF MISS AME=STAMP. |
| Image technique |
Etching, colored |
| Narrative description |
Repeal of the Stamp Act. Funeral procession with harbor in the background. Images include: Duke of Bedford, John Stuart, Earl of Bute(Sejanus), ships named for H. S. Conway, the Duke of Grafton, and Marquis Rockingham, George Grenville (Mr. George Stamp), George Montagu Dunk, Earl of Halifax, Sir Fletcher Norton, Baron Grantley, John Montagu, Earl Sandwich (Jemmy Twitcher), Dr. W. Scott (Anti-Sejanus), Earl Temple (Lord Gawkee), Alexander Wedderburn, Solicitor General. |
| Subject |
Stamp Act |
|
1766
COMMON-WEALTH. The COLOSSUS.
Stamp Act
[London]
| Title |
COMMON-WEALTH. The COLOSSUS. |
| Image technique |
Etching |
| Narrative description |
Repeal of the Stamp Act and criticism of Pitt for accepting a peerage. Pitt on crutches spans the Atlantic from New England to London. The administration is criticized for allegedly encouraging revolt against the Stamp Act. Images include: William Pitt, Earl Chatham, as the Colossus, Earl Temple as Fame, New York, London, St. Stephen's chapel. |
| Subject |
Stamp Act |
|
1766
THE REPEAL. or the Funeral P
Stamp Act
[London]
| Title |
THE REPEAL. or the Funeral Procession, of MISS AMERIC-STAMP. |
| Image technique |
Etching, colored |
| Narrative description |
Repeal of the Stamp Act. Funeral procession with harbor in the background. Images include: Duke of Bedford, John Stuart, Earl of Bute(Sejanus), ships named for H. S. Conway, the Duke of Grafton, and Marquis Rockingham, George Grenville (Mr. George Stamp), George Montagu Dunk, Earl of Halifax, Sir Fletcher Norton, Baron Grantley, John Montagu, Earl Sandwich (Jemmy Twitcher), Dr. W. Scott (Anti-Sejanus), Earl Temple (Lord Gawkee), Alexander Wedderburn, Solicitor General. |
| Subject |
Stamp Act |
|
1766
THE REPEAL.
Stamp Act
[London].
| Title |
THE REPEAL. |
| Image technique |
Etching. |
| Narrative description |
Repeal of the Stamp Act. Funeral procession with harbor in the background. Images include: Duke of Bedford, John Stuart, Earl of Bute(Sejanus), ships named for H. S. Conway, the Duke of Grafton, and Marquis Rockingham, George Grenville (Mr. George Stamp), George Montagu Dunk, Earl of Halifax, Sir Fletcher Norton, Baron Grantley, John Montagu, Earl Sandwich (Jemmy Twitcher), Dr. W. Scott (Anti-Sejanus), Earl Temple (Lord Gawkee), Alexander Wedderburn, Solicitor General. |
| Subject |
Stamp Act |
|
1766
Goody Bull or the Second Par
Stamp Act
[London]
| Title |
Goody Bull or the Second Part of the Repeal. |
| Image technique |
Etching |
| Narrative description |
Repeal of the Stamp Act. Scene on a seashore. Images include: America as an Indian, Britain as a lion, Britannia fallen, William Pitt, Earl Chatham, with crutches and as a statue, liberty cap. |
| Subject |
Stamp Act |
|
1766
THE REPEAL OR THE FUNERAL OF
Stamp Act
[London]
| Title |
THE REPEAL OR THE FUNERAL OF MISS AME=STAMP. |
| Image technique |
Etching |
| Narrative description |
Repeal of the Stamp Act. Funeral procession with harbor in the background. Images include: Duke of Bedford, John Stuart, Earl of Bute(Sejanus), ships named for H. S. Conway, the Duke of Grafton, and Marquis Rockingham, George Grenville (Mr. George Stamp), George Montagu Dunk, Earl of Halifax, Sir Fletcher Norton, Baron Grantley, John Montagu, Earl Sandwich (Jemmy Twitcher), Dr. W. Scott (Anti-Sejanus), Earl Temple (Lord Gawkee), Alexander Wedderburn, Solicitor General. |
| Subject |
Stamp Act |
|
1766
THE WHEEL of FORTUNE or ENGL
Chatham Administration (Augu
[London]
| Title |
THE WHEEL of FORTUNE or ENGLAND in TEARS. |
| Image technique |
Etching |
| Narrative description |
William Pitt, the Earl of Bute, and Fortune astride a wheel of fortune. Hardship in England. Emigration to America. Images include: Britannia lamenting, John Stuart, Earl of Bute, fondling Fortune, A. H. Campbell, William Pitt, Earl Chatham, in a feathered headdress, the Devil, fashionably dressed, Fortune blindfolded, with a scourge, Hibernia lamenting, William Murray, Earl Mansfield, Monopoly as a fat man, John Wilkes. |
| Subject |
Chatham Administration (August 1766-December 1767) |
|
1767
Samson pulling down the Pill
Chatham Administration (Augu
[London]
| Title |
Samson pulling down the Pillars. |
| Image technique |
Etching |
| Narrative description |
Influence of Lord Bute is presented as destructive of the constitution and the country. Images include: Britannia, John Stuart, Lord Bute, as Sampson, Charles Pratt, Baron Camden, Charlotte, Queen of Great Britain, George III, King of Great Britain, George, Prince of Wales (afterwards George IV), John Manners, Marquis of Granby, as a cavalry officer, Irish harp, Edward, Baron Hawke, with a trident, Thomas Secker [?], Archbishop of Canterbury, Westminster Abbey. |
| Subject |
Chatham Administration (August 1766-December 1767) |
|
1767
A VIEW of LORD BUTE'S ERECTI
Chatham administration (Augu
[London]
| Title |
A VIEW of LORD BUTE'S ERECTIONS at Kew, with some Part of Kew Green, and Gardens. |
| Image technique |
Etching |
| Narrative description |
Bird's eye view of the appearance and arrangement of houses at Kew, with reference to the alleged liaison between John Stuart, Lord Bute and the Princess of Wales. |
| Subject |
Chatham administration (August 1766-December 1767). |
|
1767
The Colossus
Chatham administration (Augu
[London]
| Title |
The Colossus |
| Image technique |
Etching |
| Narrative description |
Increasing unpopularity of the ministry and of Pitt himself for accepting a peerage (Earl of Chatham). Pitt was perceived as allying himself with Bute, whose power is represented as based upon lust and fraud. Images include: Duke of Bedford, John Stuart, Earl of Bute, as Colossus, Fletcher Norton, Baron Grantley, Francis Seymour Conway, Earl of Hertford, Henry Fox, Lord Holland, Liberty with liberty cap and staff of maintenance, Thomas Pelham-Holles, Duke of Newcastle, St. James Palace, John Montagu, Earl of Sandwich, as "Jemmy Twitcher;" Dr. W. Scott (Anti-Sejanus), Earl Temple. |
| Subject |
Chatham administration (August 1766-December 1767). |
|
1767
The Wire Master, and his Pup
Chatham administration (Augu
[London]
| Title |
The Wire Master, and his Puppets. |
| Image technique |
Etching |
| Narrative description |
Bute is presented as an occult power in British politics. Images include: Britannia lamenting, the Devil, Fletcher Norton, Baron Grantley, Henry Fox, Lord Holland, St James' Palace, John Montague, Earl Sandwich, as "Jemmy Twitcher", William Pitt, Earl of Catham, on crutches, Charles Pratt, Baron Camden, William Warburton, Bishop of Gloucester, William Wildman, Viscount Barrington, holding a letter. |
| Subject |
Chatham administration (August 1766-December 1767). |
|
1767
THE DUUMVIRATE.
Chatham administration (Augu
[London]
| Title |
THE DUUMVIRATE. |
| Image technique |
Etching |
| Narrative description |
Reflects the popular view that Pitt had formed a coalition with the Earl of Bute in return for his peerage. Images include: execution on Tower Hill, William Pitt, Earl Chatham, John Stuart, Earl of Bute. |
| Subject |
Chatham administration (August 1766-+December 1767) |
|
1768
JOHN WILKES ELECTED KNIGHT O
Grafton Administration (Dece
[London]
| Title |
JOHN WILKES ELECTED KNIGHT OF THE SHIRE FOR MIDDLSEX ON THE XXVIIITH. OF MARCH, MDCCLXVII BY THE FREE VOICE OF THE PEOPLE. |
| Image technique |
Etching |
| Narrative description |
British political scene. John Wilkes's election as a member of Parliament for Middlesex was expected to reform the House of Commons. Images include: Envy as a serpent, liberty cap, staff of maintenance, Hercules. Liberty as a boy, Minerva |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1768
MAGNA Britannia: her Colonie
British colonial politics
[London]
| Title |
MAGNA Britannia: her Colonies REDUCED. |
| Image technique |
Etching |
| Narrative description |
Loss of North American colonies will destroy the British economy. Images include: Britain as Belisarus with amputated limbs, ships for sale. |
| Subject |
British colonial politics |
|
1768
La GRANDE Bretagne: ses Colo
British colonial politics
[Paris?]
| Title |
La GRANDE Bretagne: ses Colonies REDUITES. |
| Image technique |
Engraving |
| Narrative description |
Loss of North American colonies will destroy the British economy. Images include: Britain as Belisarus with amputated limbs, ships for sale. |
| Subject |
British colonial politics |
|
1768
THE many Headed MONSTER of S
Grafton Administration (Dece
[London] Publish'd according
| Title |
THE many Headed MONSTER of SUMATRA, or LIBERTY'S EFFORTS against MINISTERIAL OPRESSION, A VISION. |
| Image technique |
Etching |
| Narrative description |
A dragon attacks John Wilkes. Contest between the satirist, John Wilkes, and the government of the Duke of Grafton. Images include: Arbitrary Power as a dragon, William Wildman, Viscount Barrington, John Dunning, Lord Ashburton, John Stuart, Earl of Bute, the Devil as a Scot, George O'Brian Wyndham, Earl of Egremont, as a skull, John Glynn, sergeant-at-law, Marquis of Granby, Fletcher Norton, Baron Grantley, Hell as a fiery castle, Henry Fox, Lord Holland, as a fox, William Murray, Lord Mansfield, Eye of Providence, Charles Watson-Wentworth, Marquis Rockingham, W. de Gray, Lord Walsingham, William Warburton, Bishop of Gloucester, John Wilkes with liberty cap and staff of maintenance. |
| Subject |
Grafton Administration (December 1767-January 1770). British political scene. |
|
1768
The Colonies Reduced. Its Co
British colonial politics
[London]
| Title |
The Colonies Reduced. Its Companion. |
| Image technique |
Etching |
| Narrative description |
Loss of North American colonies will destroy the British economy. Friction between Britain and the American colonies caused by policies popularly attributed to Bute. Britain's enemies will come to the aid of the American colonies and the British empire will be destroyed. Images include: America as an Indian, Britain as Belisarus with amputated limbs, ships for sale, Britannia, John Stuart, Earl of Bute, lifting Britannia's skirts, King of France, Holland stealing British ships, King of Spain. |
| Subject |
British colonial politics |
|
1768
The Waistcoat.
Grafton Administration (Dece
[London]
| Title |
The Waistcoat. |
| Image technique |
Etching |
| Narrative description |
Symbolizing his influence and power over the government, Bute pulls a cart over a prostrate Britannia. On the cart, surrounded by a large plaid waistcoat, are members of the Grafton administration. The waistcoat refers to one worn by the "fat man," Edward Bright, which could surround six men. Images include: John Stuart, Earl of Bute, Britannia, prostrate. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1768
The Operation.
Grafton administration (Dece
[London]
| Title |
The Operation. |
| Image technique |
Etching |
| Narrative description |
Suggests Bute's influence in the death of William Allen, reportedly at the hands of Scottish soldiers during the riot in St. George's Fields (May 10, 1768). Images include: William Allen, as wounded Britannia, William Wildman, Viscount Barrington, Marquis of Bath, William Pitt, Earl Chatham, Fletcher Norton, Baron Grantley, William Murray, Earl Mansfield, William, Earl Talbot, Thomas Thynne, Viscount Weymouth. |
| Subject |
Grafton administration (December 1767-January 1770) British political scene. |
|
1768
Portrait of an English Citiz
British political scene Graf
[London]
| Title |
Portrait of an English Citizen who was two Years imprisioned in English Bastiles without Trial, Conviction or Sentence. |
| Image technique |
Engraving. |
| Narrative description |
Incarceration of the satirist, John Wilkes. Images include: John Wilkes in jail. |
| Subject |
British political scene Grafton administration (December, 1767-January, 1770). |
|
1768
Edward the Third siezing Mor
Chatham administration (Augu
[London]
| Title |
Edward the Third siezing Mortimer. |
| Image technique |
Etching |
| Narrative description |
A parallel between the capture of Roger Mortimer, Earl of March, by Edward III in 1330, and the supposed downfall of Lord Bute on William Pitt's accession to power in August, 1766. Images include: George III, King of Great Britain, as Edward III, John Stuart, Earl of Bute, as Mortimer, Princess of Wales pleading for Bute/Mortimer. |
| Subject |
Chatham administration (August 1766-December 1767). |
|
1768
The Balance Master.
Grafton Administration (Dece
[London]
| Title |
The Balance Master. |
| Image technique |
Etching |
| Narrative description |
Anti-Grafton satire provoked perhaps by the ill-treatment John Wilkes believed himself to have received in his attempts to procure a pardon. Grafton, brandishing a whip, stands on a balance board supported by a debt-ridden Britannia. Images include: William Wildman, Viscount Barrington, Britannia, Charles Pratt, Baron Camden, the devil, Folly as a clown, Marquis of Granby, Fletcher Norton, Baron Grantley, Thomas Thynne, Viscount Weymouth. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1768
THE FLIGHT from DOVER. THE A
Grafton Administration (Dece
[London]
| Title |
THE FLIGHT from DOVER. THE ARRIVAL at CALAIS. |
| Image technique |
Etching |
| Narrative description |
Bute is accused of advancing French interests. Bute and a witch escape England on a broom. Bute is greeted on his arrival in France by the "Young Pretender." It was said that when Bute faced political difficulties, he was in the habit of going abroad. Images include: Britannia, Prince Charles Edward (the Young Pretender), the Devil as a satyr, witch on a broom. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1768
The ever-memorable Peace-Mak
Seven Years' War
[London]
| Title |
The ever-memorable Peace-Makers settling their Accounts. |
| Image technique |
Engraving |
| Narrative description |
Seven Years' War. Treaty of Paris. Criticism of terms of the Treaty of Paris. Allegation of bribes accepted by John Stuart, Earl of Bute, Henry Fox, Lord Holland, the Duke of Bedford, and the Princess of Wales to insure that the terms of Peace were favorable to France. Images include: the Devil, a fox. |
| Subject |
Seven Years' War |
|
1768
[Avaunt ye troublers of a Wo
Grafton Administration (Dece
[London]
| Title |
[Avaunt ye troublers of a World's repose] |
| Image technique |
Engraving |
| Narrative description |
Liberty, George III, and Britannia listen to the pleas of a commoner. This may refer to the cause of John Wilkes, who was elected to the House of Commons but rejected by votes of the "King's friends" three times. The affair of the "Middlesex election" resulted eventually in freedom of election for the House of Commons. Images include: the "British people", liberty cap, staff of maintenance. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1768
The North Star.
Grafton administration (Dece
[London]
| Title |
The North Star. |
| Image technique |
Etching |
| Narrative description |
The Earl of Bute and the Earl of Chatham are shown as the prime movers of a government that is destroying constitutional rights. Images include: Britannia, William Pitt, Earl Chatham, in a feathered headdress, Marquis of Granby, Fletcher Norton, Baron Grantley, William Murray, Earl of Mansfield, Earl of Northampton, Henry Zuylestein, Earl Rochford, William Warburton, Bishop of Gloucester, Thomas Thynne, Viscount Weymouth, John Wilkes, Daniel Finch, Earl of Wincheslea. |
| Subject |
Grafton administration (December 1767-January 1770) British political scene. |
|
1768
MAGNA Britannia: her Colonie
British colonial politics
[London]
| Title |
MAGNA Britannia: her Colonies REDUC'D. |
| Image technique |
Etching |
| Narrative description |
Loss of North American colonies will destroy the British economy. Images include: Britain as Belisarus with amputated limbs, ships for sale. |
| Subject |
British colonial politics |
|
1768
A WARM PLACE–HELL.
North American political sce
[Boston]
| Title |
A WARM PLACE–HELL. |
| Image technique |
Engraving |
| Narrative description |
On February 11, 1768, the Massachusetts House of Representatives approved a "Circulatory Letter'"opposing various Acts of Parliament. Parliament ordered that the vote be rescinded. On June 30, 1768, the House voted again and 92 members voted not to rescind and 17 voted to rescind. The 17 "rescinders" are satirized in this print. Images include: Dr. John Calef with a calf's head, the Devil, Hell, Timothy Ruggles (an American loyalist). |
| Subject |
North American political scene. Tension between Britain and the American colonies. |
|
1768
Captain Macheath.
Grafton Administration (Dece
[London]
| Title |
Captain Macheath. |
| Image technique |
Etching |
| Narrative description |
Focus on the East India Company's extensive and lucrative holdings in Bengal (an "empire" in the hands of merchants) that had attracted the attention of the Grafton administration. Images include: William Pitt, Earl of Chatham, with a crown and fleur-de-lys, Augustus Henry Fitzroy, Duke of Grafton, as a highwayman. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1768
Harlequin.
Grafton Administration (Dece
[London]
| Title |
Harlequin. |
| Image technique |
Etching |
| Narrative description |
Antagonism towards William Pitt for accepting a peerage. Images include: Wiliam Pitt, Earl of Chatham, as harlequin draped in plaid, John Stuart, Earl of Bute, the Devil, liberty cap, staff of maintenance, broken. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1768
Malice and Fortitude.
Grafton Administration (Dece
[London]
| Title |
Malice and Fortitude. |
| Image technique |
Etching |
| Narrative description |
John Wilkes is threatened by enemies, including the Princess of Wales and the Earl of Bute, who were popularly suspected of making several attempts to murder him. Images include: John Stuart, Earl of Bute, with a sword, John Montague, Earl Sandwich, as a jockey with a cricket bat, Fletcher Norton, Baron Grantley, the Magna Carta, William Murray, Earl of Mansfield, Truth. |
| Subject |
Grafton Administration (December 1767-January 1770). British political scene. |
|
1768
Hercules Cleaning the Augean
Grafton administration (Dece
[London]
| Title |
Hercules Cleaning the Augean Stable. |
| Image technique |
Etchng |
| Narrative description |
John Wilkes's election as a member of Parliament for Middlesex was expected to reform the House of Commons. Images include: Bribery, Corruption, and Hypocrisy as a 3-headed monster, Britannia lamenting, Sir John Cust, Speaker of the House of Commons, Discord as Medusa, Fletcher Norton, Baron Grantley. |
| Subject |
Grafton administration (December 1767- January 1770). British political scene. |
|
1768
The Pillars of the State.
Grafton Administration (Dece
[London]
| Title |
The Pillars of the State. |
| Image technique |
Etching |
| Narrative description |
Thomas Harley, Lord Mayor of London, and Justice Samuel Gillam are blamed for the violent suppression of the London riots, May 10, 1768. Images include: Britain as a shipwreck, Thomas Harley with a boot and a petticoat, soldiers firing on rioters, a prison, hangman's noose, John Wilkes. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1769
Janus. 1768-1769
Grafton Administration (Dece
[London]
| Title |
Janus. 1768-1769 |
| Image technique |
Etching |
| Narrative description |
Political dealings and marital problems of the Duke of Grafton. Images include: the Duke of Grafton as Janus, a thief, a fool. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1769
The Addressers
Grafton administration (Dece
[London]
| Title |
The Addressers |
| Image technique |
Etching |
| Narrative description |
A melée at the King's Arms tavern. "The Battle of Cornhill" (March 8, 1769), a violent outbreak during a meeting of London merchants who had gathered to sign an address to the king expressing confidence in the government. Images include: Charles Dingley, Reverend John Horne (Tooke), London merchants, Peter Muilman, John Reynolds (John Wilkes attorney), Samuel Vaughan. |
| Subject |
Grafton administration (December 1767-January 1770) |
|
1769
An Attempt to land a Bishop
Tension between Britain and
[London]
| Title |
An Attempt to land a Bishop in America. |
| Image technique |
Etching |
| Narrative description |
On a quay, American colonists prevent the landing of a British ship carrying a bishop. A plan to establish an American bishopric was proposed in 1750 and revived again in 1768. Images include: New England colonists, liberty cap, bishop, ship called "The Hillsborough". |
| Subject |
Tension between Britain and the American colonies. |
|
1769
JOHN WILKES, Esq.
Tension between Britain and
Boston
| Title |
JOHN WILKES, Esq. |
| Image technique |
Woodcut |
| Narrative description |
Images include: John Wilkes, crowned with laurel, supported by Britannia as Minerva and by Hercules, who treads upon the "serpent of envy." A cupid carries a liberty cap and the books, "Lockes Works" and "Sidney on Government," lie open. |
| Subject |
Tension between Britain and the American colonies. |
|
1769
The Machine to go without As
Grafton Administration (Dece
[London]
| Title |
The Machine to go without Asses. |
| Image technique |
Engraving |
| Narrative description |
Suggests that the King, guiding the carriage of State, would crush the Arbitrary Faction of the Grafton administration and end the "secret influence" of John Stuart, Lord Bute. At this period the King was believed to be neglecting his duties, leaving their performance in the hands of his mother and her supposed lover, Bute. Images include: King of Austria, Britannia, Fame, King of France, George III, King of Great Britain, Augustus Henry Fitzroy, Duke of Grafton, Henry Fox, Lord Holland, liberty cap, the Magna Carta, William Murray, Earl of Mansfield, King of Spain, staff of maintenance. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1769
THE CITY CARRIERS.
Tension between Britain and
[London]
| Title |
THE CITY CARRIERS. |
| Image technique |
Engraving |
| Narrative description |
British political scene. At the entrance to St. James' Palace, the Livery of London presents petitions to the King. Images include: Thomas Beckford, Mayor of London, Robert Ladbroke, Mayor of London, Samuel Turner, Mayor of London, Liberty, officials of the City of London, Barlow Trecothnick, Truth. |
| Subject |
Tension between Britain and the American colonies. |
|
1769
What may be doing Abroad. Wh
Grafton Administration (Dece
[London]
| Title |
What may be doing Abroad. What is doing at Home. |
| Image technique |
Etching |
| Narrative description |
British political scene. Foreign powers divide the world and plot against the British Empire, while the Ministry schemes at home. Images include: Duke of Bedford, King of France, George III. King of Great Britain, Augustus Henry Fitzroy, Duke of Grafton, Henry Fox, Lord Holland, as a fox, William Murray, Earl of Mansfield, Empress Maria Teresa, King of Prussia, William Henry Zuylestein, Earl of Rochford, King of Spain, Thomas Thynne, Viscount Weymouth. |
| Subject |
Grafton Administration (December 1767-January 1770). |
|
1770
Political Electricity, or, A
British political scene.
[London]
| Title |
Political Electricity, or, An Historical & Prophetical Print in the Year 1770. |
| Image technique |
Etching |
| Narrative description |
A series of vignettes present Bute as a generator that draws power from the royal family, creating a chain of events throughout the world. Vignette 24 shows a prosperous Boston as a rival to London. Images include: William Wildman, Viscount Barrington, Thomas Beckford, Mayor of London, John Stuart, Earl of Bute, as an electrical machine, Charles Pratt, Baron Camden, Robert, Baron Clive, William Dowdeswell, Jeremiah Dyson, electricity machine, Benjamin Franklin, George III, King of Great Britain, Granville Leveson-Gower, Earl Gower, Augustus Henry Fitzroy, Duke of Grafton, Fletcher Norton, Baron Grantley, George Grenville, King's Bench Prison, Frederick, Lord North, George Onslow (1731-1792), St. James Palace, Vice as a Fury, Virtue as a woman, Richard Whitworth. |
| Subject |
British political scene. |
|
1770
Mr. MACKLIN in the Character
[London]
| Title |
Mr. MACKLIN in the Character of SHYLOCK, in Shakespeare's Merchant of Venice. |
| Image technique |
Etching |
| Narrative description |
Homage to William Shakespeare. Images include: Charles Macklin, the actor, as Shylock. |
|
1770
Mr. Garrick delivering his O
[London]
| Title |
Mr. Garrick delivering his Ode, at Drury Lane Theatre, on dedicating a Building & erecting a Statue, to Shakespeare. |
| Image technique |
Etching |
| Narrative description |
Homage to William Shakespeare. Images include: Drury Lane Theatre, London, David Garrick, actor. |
|
1770
[THE FRUITS OF ARBITRARY POW
Tension between England and
[London]
| Title |
[THE FRUITS OF ARBITRARY POWER, OR THE BLOODY MASSACRE, PERPETUATED IN KING STREET BOSTON ON MARCH 5TH 1770] |
| Image technique |
Etching |
| Narrative description |
Boston massacre. |
| Subject |
Tension between England and the American colonies. |
|
1770
The Massacre perpetuated in
Tension between Britain and
[London]
| Title |
The Massacre perpetuated in King Street Boston on March 5th. 1770, in which Messrs. Saml. Gray, Saml. Maverick, James Caldwell, Crispus Attucks, Patrick Carr were Killed, six others Wounded, two of them Mortally. |
| Image technique |
Etching |
| Narrative description |
The Boston Massacre. |
| Subject |
Tension between Britain and the American colonies. |
|
1770
The Guy Faux of 1770.
British political scene.
[London]
| Title |
The Guy Faux of 1770. |
| Image technique |
Etching |
| Narrative description |
George III's negative reaction to the petition and remonstrance presented by the representatives of the City of London. Images include: John Stuart, Earl of Bute, with a signal light, "Eye of Providence". |
| Subject |
British political scene. |
|
1770
The King and his Friends.
British political scene.
[London]
| Title |
The King and his Friends. |
| Image technique |
Etching |
| Narrative description |
Five medallion portraits of the so-called "court party." George III is surrounded by Volpone [Henry Fox, Lord Holland], Jefferies [Lord Mansfield], Mungo, a black slave in popular farce [Jeremiah Dyson], and John Stuart, Earl of Bute. |
| Subject |
British political scene. |
|
1770
A Council.
British political scene.
[London]
| Title |
A Council. |
| Image technique |
Engraving |
| Narrative description |
The King's supporters in the Privy Council express dismay at the presentation of petitions for grievances. Images include: William Wildman, Viscount Barrington, the Duke of Bedford, Frederick Cornwallis, Archbishop of Canterbury, Duke of Cumberland (George III's brother) as Folly, the Devil, Duke of Cumberland as Folly, Augustus Henry Fitzroy, Duke of Grafton, William Murray, Earl Mansfield, wearing a Scotch bonnet, Frederick, Lord North, Earl of Guilford, Privy Council, Richard Rigby, John Montagu, Earl of Sandwich, as "Jemmy Twitcher", York Petition. |
| Subject |
British political scene. |
|
1770
JANUS.
British political scene
[London]
| Title |
JANUS. |
| Image technique |
Etching |
| Narrative description |
Falkland Islands conflict (Dec. 11, 1770). Bute councils peace and Lord Chatham calls for war with France and Spain over the seizure of the Falkland Islands. Images include: John Stuart, Earl of Bute, as a boot, William Pitt, Earl Chatham, George iII, King of England, as Janus. |
| Subject |
British political scene |
|
1770
A Game at Skittles.
British political scene.
[London]
| Title |
A Game at Skittles. |
| Image technique |
Etching |
| Narrative description |
John Stuart, Earl of Bute, with St. Peter's, Rome, in the background, prepares to throw a ball at nine skittles. Represents Bute's influence, even when he is out of the country. Includes poetry. Images include: George III, King of Great Britain, and his family as 9 skittles. |
| Subject |
British political scene. |
|
1770
LORD CHIEF JUSTICE JEFFRIES.
British political scene
[London]
| Title |
LORD CHIEF JUSTICE JEFFRIES. LORD CHIEF JUSTICE MANSFIELD. |
| Image technique |
Etching |
| Narrative description |
The so-called "tyrannical" judges. Images include: Lord Chief Justice George Jeffreys, Baron Jeffreys, William Murray, Earl Mansfield. |
| Subject |
British political scene |
|
1770
BRITONS STRIKE HOME. An Old
British political scene
[London]
| Title |
BRITONS STRIKE HOME. An Old Song, to a New Tune. |
| Image technique |
Etching |
| Narrative description |
Anti-Bute satire. The Earl of Bute is threatened by a beheading axe. Images include: John Stuart, Earl of Bute, as a boot. |
| Subject |
British political scene |
|
1770
The Peace-Makers.
British political scene.
[London]
| Title |
The Peace-Makers. |
| Image technique |
Etching |
| Narrative description |
Falkland Islands conflict (Dec. 11, 1770). The Court Party's attempts to prevent war between England, France, and Spain over the seizure of the Falkland Islands. The Court Party was supposedly under the influence of the Earl of Bute and Lord Holland. Images include: John Stuart, Earl of Bute, as a jester, Holland as a fox and a devil. |
| Subject |
British political scene. |
|
1770
VOX POPULI VOX DEI.
British political scene
[London]
| Title |
VOX POPULI VOX DEI. |
| Image technique |
Etching |
| Narrative description |
A lightening bolt strikes through the ceiling of the House of Commons representing the dissatisfaction of the opposition. |
| Subject |
British political scene |
|
1770
Sir Robert Ladbroke aiming a
British political scene
[London]
| Title |
Sir Robert Ladbroke aiming at a Peerage. |
| Image technique |
Etching |
| Narrative description |
The disembodied hand of John Stuart, Earl of Bute, offers a crown to Ladbroke, who is stepping on prostrate citizens of London. Ladbroke is criticized for not supporting the City Remonstrance, which was presented to the King in March, 1770. It was assumed that Ladbroke was trying to gain the favor of Bute and the Court Party. Images include: a satyr. |
| Subject |
British political scene |
|
1770
England's Friends.
British political scene.
[London]
| Title |
England's Friends. |
| Image technique |
Etching |
| Narrative description |
Four medallion portraits surround four clasped hands, clockwise: "Chatham, Temple, Rockingham, Camden." Celebration of "not guilty" verdict in the trial of the printer, John Miller, who reprinted Junius's Letter to the K--- in the London Evening Post (19 December, 1769). Images include: Charles Pratt, Baron Camden, Charles Watson-Wentworth, Charles Watson-Wentworth, Marquess of Rockingham, Richard Grenville, Earl Temple. |
| Subject |
British political scene. |
|
1770
The Constitution.
British political scene.
[London]
| Title |
The Constitution. |
| Image technique |
Etching |
| Narrative description |
John Stuart, Earl of Bute, tampers with the scales of justice signifying his supposed influence over the law courts. Images include: thistles. |
| Subject |
British political scene. |
|
1770
The Fortunate TRANSPORT.
Social satire
[London]
| Title |
The Fortunate TRANSPORT. |
| Image technique |
Etching |
| Narrative description |
Transportation of criminals to Virginia. Images include: Mrs. Branch, Polly Haycock. |
| Subject |
Social satire |
|
1770
ISABELLA MOTHER of EDWARD II
British political scene.
[London]
| Title |
ISABELLA MOTHER of EDWARD IIID. AUGUSTA MOTHER of GEORGE IIID. |
| Image technique |
Etching |
| Narrative description |
Attack on Earl of Bute's supposed affair with the Princess of Wales. Compares the influence of Roger Mortimer, Earl of March, on Queen Isabella and her son Edward III to the influence of Bute on Augusta, mother of George III. Images include: head of John Stuart, Earl of Bute, on a pole, a jackboot. |
| Subject |
British political scene. |
|
1770
LORD CHANCELLOR SOMERS. LORD
British political scene
[London]
| Title |
LORD CHANCELLOR SOMERS. LORD CHANCELOR CAMDEN. |
| Image technique |
Etching |
| Narrative description |
The so-called "fair" judges. Images include: Charles Pratt, Baron Camden, Lord Chancellor John Somers, Baron Somers. |
| Subject |
British political scene |
|
1770
A late LORD MAYOR of London.
Chatham Administration (Augu
[London]
| Title |
A late LORD MAYOR of London. |
| Image technique |
Etching |
| Narrative description |
Engraving of a statue of William Beckford, Lord Mayor of London, an ardent supporter of William Pitt, Earl of Chatham. Beckford died June 21, 1770. On July 5, 1770 the Court of Common Council in London voted to erect a statue to his memory. |
| Subject |
Chatham Administration (August 1766-December 1767) |
|
1770
The Royal Chace.
British political scene
[London]
| Title |
The Royal Chace. |
| Image technique |
Etching |
| Narrative description |
George III and William Murray, Earl Mansfield, pursue three printers. Prosecution of the publishers John Almon, Henry Sampson Woodfall, and John Miller for selling and/or printing letters by "Jumius" critical of George III. Images include: Britain as an oak, George III, King of Great Britain, "Junius" in shadow, Sir Robert Ladbroke, Mayor of London, as the "father" of London, citizens of London, William Murray, Earl Mansfield. |
| Subject |
British political scene |
|
1771
EARL OF ROCHFORD.
British political scene Nort
[London]
| Title |
EARL OF ROCHFORD. |
| Image technique |
Etching |
| Narrative description |
William Henry Zuylestein, Earl of Rochford, was a negotiator of the unpopular Convention with Spain (14 January 1771). |
| Subject |
British political scene North Administration (January 1770 - March 1782). |
|
1771
SIR GEORGE SAVILE BART.
British political scene. Nor
[London]
| Title |
SIR GEORGE SAVILE BART. |
| Image technique |
Etching |
| Narrative description |
A portrait of Sir George Savile, baronet. |
| Subject |
British political scene. North Administration (January 1770-March 1782). |
|
1771
Acted for the Benefit of the
British political scene Nort
[London]
| Title |
Acted for the Benefit of the Ministry. |
| Image technique |
Engraving |
| Narrative description |
One of a number of satires of the quarrel between John Wilkes and Rev. John Horne that began in November, 1771. |
| Subject |
British political scene North Administration (January 1770-March 1782) |
|
1771
The Right Honble. Brass Cros
Portraits North Ministry (Ja
[London]
| Title |
The Right Honble. Brass Crosby, Esqr. Richard Oliver, Esqr. |
| Image technique |
Engraving |
| Narrative description |
Portraits of Brass Crosby, Lord Mayor of London, and Richard Oliver, Alderman. |
| Subject |
Portraits North Ministry (January 1770-March 1782) |
|
1771
Charles-James Cub Esqr.
British political scene.
[London]
| Title |
Charles-James Cub Esqr. |
| Image technique |
Etching |
| Narrative description |
Portrait of Charles James Fox, son of Henry Fox, Lord Holland, dressed in the latest fashion. |
| Subject |
British political scene. |
|
1771
The Great Luminary of the La
British political scene
[London]
| Title |
The Great Luminary of the Law. |
| Image technique |
Etching |
| Narrative description |
"Henry Bathurst was made Lord Chancellor and Baron Apsley on 23 Jan. 1771, and is generally agreed to have been the least efficient Lord Chancellor of the eighteenth century." Images include: Henry Bathurst, 2nd Earl Bathurst, who was known as Lord Apsley from 1771 to 1775. |
| Subject |
British political scene |
|
1771
ROCKINGHAM TEMPLE
Portraits North Ministry (Ja
[London]
| Title |
ROCKINGHAM TEMPLE |
| Image technique |
Engraving |
| Narrative description |
Portraits of Charles Pratt, Lord Camden, and William Pitt, Lord Chatham. These portraits face an article on "Idea of a Well-Policed State," in which the Hosue of Lords is to be the "bust and truck" of the constitution of the British commonwealth. |
| Subject |
Portraits North Ministry (January 1770-March 1782) |
|
1771
Lord North at the Spanish Am
British political scene Nort
[London]
| Title |
Lord North at the Spanish Ambassador's. |
| Image technique |
Etching |
| Narrative description |
Conflict with Spain over the Falkland Islands. The Ministry is criticized for its supposed subservience to Spain. |
| Subject |
British political scene North Ministry (Jan. 1770-March 782) |
|
1771
A PRIVATE ORDINATION.
British political scene. Nor
[London]
| Title |
A PRIVATE ORDINATION. |
| Image technique |
Etching |
| Narrative description |
A satire directed at the Rev. John Horne, who had made unfortunate references to his ordination in a letter to John Wilkes. Images include: John Horne (Tooke). |
| Subject |
British political scene. North Administration (January, 1770-March, 1782). |
|
1771
THE PAGEANT.
British political scene. Nor
[London]
| Title |
THE PAGEANT. |
| Image technique |
Etching |
| Narrative description |
The unpopularity of George III among his subjects. Images include: demon, an electricity machine[?], George III, King of Great Britain, Westminster Abbey, citizens of London. |
| Subject |
British political scene. North Administration (January 1770-March 1782). |
|
1771
Twitcher's Advocate.
British political scene. Nor
[London]
| Title |
Twitcher's Advocate. |
| Image technique |
Etching |
| Narrative description |
Portrait of Dr. W. Scott ("Anti-Sejanus"), chaplain to the Earl of Sandwich, who wrote many letters in support of the government. John Montague, Earl Sandwich, peers in the window from outside. |
| Subject |
British political scene. North Administration (January 1770-March 1782) |
|
1771
A View of the Riot Decr. 11t
North Administration (Januar
[London]
| Title |
A View of the Riot Decr. 11th. 1770. |
| Image technique |
Etching |
| Narrative description |
Falkland Islands. conflict, House of Lords debate, December 11, 1770). The Ministry was criticized for subservience to Spain over the issue of ownership of the Falkland Islands. Images include: House of Lords. |
| Subject |
North Administration (January 1770-March 1782). |
|
1771
His Grace of -- a Specimen o
Social satire.
[London]
| Title |
His Grace of -- a Specimen of English Nobility. |
| Image technique |
Etching |
| Narrative description |
Caricature of a young man of fashion. |
| Subject |
Social satire. |
|
1771
Virtue Disgrac'd March 1771.
British political scene Nort
[London]
| Title |
Virtue Disgrac'd March 1771. Vice Triumphant March 1771. |
| Image technique |
Engraving |
| Narrative description |
Upper frame represents the imprisonment of Brass Crosby, Lord Mayor of London, and Richard Oliver, Alderman, in the Tower. The lower frame represents a riot at Westminster, 27 March, 1771, when the Lord Mayor was committed to the Tower. Images include: Britannia, Liberty, Devils. |
| Subject |
British political scene North Ministry (January 1770-March 1782) |
|
1771
The National -Union 1771
British political scene Nort
[London]----
| Title |
The National -Union 1771 |
| Image technique |
Engraving |
| Narrative description |
Politicians are shown wrapped in a large Union flag. Oneof the men is William Pitt, Lord Chatham, holding a crutch. Another is a judge in wig and robe who is probably Charles Pratt, Lord Camden. |
| Subject |
British political scene North Administration (January 1770-March 1782) |
|
1771
Lord Chief Justice Mansfield
Portraits North Ministry (Ja
[London]
| Title |
Lord Chief Justice Mansfield |
| Image technique |
Engraving |
| Narrative description |
Portrait of Chief Justice William Murray, Lord Mansfield. This portrait illustrated an article on "Thoughts, Reflections, and Considerations, on the abject Condition of the Great, especially Courtiers, and the folly of those who seek Connections with them." |
| Subject |
Portraits North Ministry (January 1770-March 1782) |
|
1772
Admiral Rodney before Cartag
European political scene
[London]
| Title |
Admiral Rodney before Cartagena |
| Image technique |
Etching |
| Narrative description |
Tensions between Great Britain and Spain in the Caribbean. A British schooner had been captured with no resistance by the Spanish Guarda Costa and charged with smuggling. Image includes: George Brydges, Admiral Rodney. |
| Subject |
European political scene |
|
1773
MISS MACARONI AND HER GALLAN
Social satire
[London]
| Title |
MISS MACARONI AND HER GALLANT AT A PRINT SHOP. |
| Image technique |
Mezzotint |
| Narrative description |
Fashionably dressed couple look at pictures displayed in print shop windows. Images include: fashionable attire, printseller's shop, "macaroni" fashion. |
| Subject |
Social satire |
|
1773
THE MOTHER AND THE CHILD.
North Administration (Januar
[London]
| Title |
THE MOTHER AND THE CHILD. |
| Image technique |
Etching |
| Narrative description |
A satire on the arrears of the Civil List. Images include: Britannia nursing George III, Privy Purse empty and full. |
| Subject |
North Administration (January 1770-March 1782). |
|
1773
THE STATE JUGGLERS 1773.
North Administration (Januar
[London]
| Title |
THE STATE JUGGLERS 1773. |
| Image technique |
Engraving |
| Narrative description |
Lord North and his ministers portrayed as showmen out to fool the impoverished and suffering public. Images include: William Wildman, Viscount Barrington, the British people, John Stuart, Earl of Bute, offering a crown, "Deceit," as a serpent, Jeremiah Dyson as "Mungo" (a black slave in popular farce), Henry Fox, Lord Holland, as a fox, William Murray, Earl Mansfield, in wig and robes, Frederick, Lord North, Earl of Guilford, as a juggler, juggler's booth in St. James's Street, London, John Montagu, Earl Sandwich, with a cricket bat. |
| Subject |
North Administration (January 1770-March 1782). |
|
1774
SPANISH treatment at CARTAGE
European political scene
[Boston]
| Title |
SPANISH treatment at CARTAGENA |
| Image technique |
Engraving |
| Narrative description |
Tensions between Great Britain and Spain in the Caribbean. A British schooner had been captured with no resistance by the Spanish Guarda Costa and charged with smuggling. This cartoon shows the imaginary humiliation of England by Spain--chained English sailors are mistreated in Cartagena by their Spanish captors. |
| Subject |
European political scene |
|
1774
The Mitred Minuet
North Administration (Januar
[Boston]
| Title |
The Mitred Minuet |
| Image technique |
Engraving |
| Narrative description |
Reaction to the Quebec Act, one of the five Intolerable Acts, which granted religious and legal freedoms to French Canadians. Images include: John Stuart, Earl of Bute, in highland dress, the Devil, Frederick, Lord North, playing bagpipes, Catholic bishops dancing, the Devil. |
| Subject |
North Administration (January 1770-March 1782 Tension between Britain and the American colonies. |
|
1774
The able Doctor, or America
North Administration (Januar
[London]
| Title |
The able Doctor, or America Swallowing the Bitter Draught. |
| Image technique |
Engraving |
| Narrative description |
Intolerable Acts. Boston Tea Party. Boston Port Bill (March 31, 1774) closed the port in retaliation for the Boston Tea Party. Images include: America, as a woman forced to drink tea, Britannia despairing, John Stuart, Earl of Bute, in highland dress, William Murray, Lord Mansfield, in wig and robes restraining America, Frederick, Lord North, Earl of Guilford, pouring tea in America's mouth, John Montague, Earl of Sandwich, restraining America, Spain with the Order of the Golden Fleece. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1774
THE STATE PEDLARS, OR, THE N
North Administration (Januar
[London]. Publish'd as ye Ac
| Title |
THE STATE PEDLARS, OR, THE NATIONAL CONTRAST. |
| Image technique |
Etching |
| Narrative description |
Britannia and Scots peddlers (representing Scottish influence) each try to pull a burdened British lion in their respective directions. Images include: Britannia, Britain as a lion, John Stuart, Earl of Bute, as a boot, Scottish thistle. |
| Subject |
North Administration (January 1770-March 1782). |
|
1774
THE COURT COTILLION, Or the
North Administration (Januar
[London]
| Title |
THE COURT COTILLION, Or the Premiers new Parl*****t Jig. |
| Image technique |
Engraving. |
| Narrative description |
America, England, and Scotland treading a circle scourging one another. Criticism of Lord North and Parliament for dissension between England, Scotland, and the American colonies. Images include: America as an Indian, Britain as a sailor, Britannia weeping, liberty cap, Frederick, Lord North, Earl of Guilford, playing a fiddle, Scotland in a kilt. |
| Subject |
North Administration (January 1770-March 1782). |
|
1774
THE BOSTONIANS IN DISTRESS.
North Administration (Januar
London
| Title |
THE BOSTONIANS IN DISTRESS. |
| Image technique |
Mezzotint |
| Narrative description |
Distress in Boston caused by the Boston Port Bill. Images include: a cage (symbol of slavery), liberty tree, British navy, British soldiers, cannon. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies |
|
1774
THE BOSTONIAN'S Paying the E
North Administration (Januar
London
| Title |
THE BOSTONIAN'S Paying the EXCISE-MAN, or TARRING & FEATHERING [BOSTONIANS PAYING THE EXCISEMAN, OR TARRING AND FEATHERING] |
| Image technique |
Mezzotint, colored. |
| Narrative description |
Bostonians tarring and feathering John Malcomb, the British Commissioner of Customs. Images include: liberty tree with noose, Sons of Liberty, Boston Tea Party. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1774
THE ORACLE. REPRESENTING BRI
North Administration (Januar
[London].
| Title |
THE ORACLE. REPRESENTING BRITANNIA, HIBERNIA, SCOTIA & AMERICA, AS ASSEMBLED TO CONSULT THE ORACLE, ON THE PRESENT SITUATION OF PUBLIC AFFAIRS, TIME ACTING AS PRIEST. |
| Image technique |
Mezzotint. |
| Narrative description |
The triumph of Concord over Discord. Images include: America as an Indian, Britannia, Concord, globe (world), Hibernia, liberty cap, magic lantern, members of Parliament, Scotland as Scotia, Father Time. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1774
A NEW METHOD OF MACARONY MAK
North Administration (Januar
London
| Title |
A NEW METHOD OF MACARONY MAKING, AS PRACTICED AT BOSTON. [BOSTONIANS PAYING THE EXCISEMAN, OR TARRING AND FEATHERING] |
| Image technique |
Mezzotint |
| Narrative description |
Bostonians tarring and feathering John Malcomb, the British Commissioner of Customs. Includes poetry. Images include: Sons of Liberty, gallows with a severed rope. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1774
The Colossus of the North or
North Administration (Januar
[London]
| Title |
The Colossus of the North or The Striding Boreas. |
| Image technique |
Engraving |
| Narrative description |
Lord North as the Colossus of Rhodes. Criticism of the North Administration for "tyranny and venality." Images include: Britannia, Frederick, Lord North, Earl of Guilford, Westminster Hall, John Wilkes, recently elected Mayor of London, lit torch named "America;" Members of Parliament as a river. |
| Subject |
North Administration (January 1770-March 1782). |
|
1774
[Britain, America, at length
North Administration (Januar
[London]
| Title |
[Britain, America, at length be friends] |
| Image technique |
Etching |
| Narrative description |
Urges friendly settlement of differences. Images include: America, as an Indian with gorget and headdress, Britain as a lion, Britannia, Commerce (British), Concord, as a woman, Peace as a bubble. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1774
BOREAS.
North Administration (Januar
[London]
| Title |
BOREAS. |
| Image technique |
Engraving |
| Narrative description |
Caricature of Lord North looking through a lorgnette. |
| Subject |
North Administration (January 1770-March 1782). |
|
1774
The way of the World
North Administration (Januar
[London]
| Title |
The way of the World |
| Image technique |
Etching |
| Narrative description |
Images include: John Stuart, Earl of Bute, with a sword, William Pitt, Earl Chatham, with crutches, William Murray, Lord Mansfield, in wig and robes, Frederick, Lord North, Earl of Guilford. |
| Subject |
North Administration (January 1770-March 1782). British political scene. |
|
1774
The Whitehall Pump.
North Administration (Januar
[London]
| Title |
The Whitehall Pump. |
| Image technique |
Engraving |
| Narrative description |
Attack on Boston Port Bill passed against Massachusetts in retaliation for the Boston Tea Party. Images include: America as a prostrate Indian, Henry Apsley, Baron Bathurst, as a judge, Britannia prostrate, John Stuart, Earl of Bute, with a ribbon, Charles Pratt, Baron Camden, protesting, William Murray, Earl Mansfield, in wig and robes, Frederick, Lord North, Earl of Guilford pumping water, bust of George III, King of Great Britain, John Montagu, Earl of Sandwich, John Wilkes, protesting. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1774
The Mitred Minuet.
North Administration (Januar
[London]
| Title |
The Mitred Minuet. |
| Image technique |
Engraving |
| Narrative description |
Reaction to the Quebec Act, one of the five Intolerable Acts, which granted religious and legal freedoms to French Canadians. Images include: John Stuart, Earl of Bute, in highland dress, the Devil, Frederick, Lord North, playing bagpipes, Catholic bishops dancing, the Devil. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1774
LIBERTY TRIUMPHANT: or the D
Tension between England and
[London]
| Title |
LIBERTY TRIUMPHANT: or the Downfall of OPRESSION. |
| Image technique |
Etching |
| Narrative description |
Boston Tea Party. Images include: America as an Indian woman, American loyalists, John Stuart, Earl of Bute, devil/demon, East India Company, Fame, "Genius" of Britain, King George III, Liberty, liberty cap, map of North America, Frederick, Lord North, Earl of Guilford, Charles Lennox, Duke of Richmond, Sons of Liberty as Indians. |
| Subject |
Tension between England and the American colonies. |
|
1774
The Dissolution of P[arliame
North Administration (Januar
[London]
| Title |
The Dissolution of P[arliamen]t. |
| Image technique |
Engraving |
| Narrative description |
Dissolution of Parliament, September, 30, 1774. Street scene with a stagecoach filled with politicians. Satire of Parliament for its actions at home and in relation to the American colonies. Images include: beggars. |
| Subject |
North Administration (January 1770-March 1782). Boston Port Bill. General Warrants. |
|
1774
THIS SR. IS THE MEANING OF T
North Administration (Januar
[London]
| Title |
THIS SR. IS THE MEANING OF THE QUEBEC ACT. |
| Image technique |
Etching |
| Narrative description |
The Quebec Act was one of the five Intolerable Acts. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1774
A NEW METHOD OF MACARONY MAK
North Administration (Januar
London
| Title |
A NEW METHOD OF MACARONY MAKING, AS PRACTICED AT BOSTON IN NORTH AMERICA. [BOSTONIANS PAYING THE EXCISEMAN, OR TARRING AND FEATHERING] |
| Image technique |
Mezzotint |
| Narrative description |
Bostonians tarring and feathering John Malcomb, the British Commissioner of Customs. Images include: Sons of Liberty, gallows with severed rope. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1775
THE HONBLE. JOHN HANCOCK. of
American Revolution. Portrai
London
| Title |
THE HONBLE. JOHN HANCOCK. of BOSTON in NEW ENGLAND, PRESIDENT of the AMERICAN CONGRESS. |
| Image technique |
Mezzotint |
| Narrative description |
John Hancock. |
| Subject |
American Revolution. Portraits. |
|
1775
GEORGE WASHNGTON, ESQR. GENE
American Revolution. Portrai
[London]
| Title |
GEORGE WASHNGTON, ESQR. GENERAL and COMMANDER in CHIEF of the CONTINENTAL ARMY in AMERICA. |
| Image technique |
Mezzotint |
| Narrative description |
George Washington. |
| Subject |
American Revolution. Portraits. |
|
1775
ISRAEL PUTNAM ESQR. MAJOR GE
American Revolution. Portrai
[London]
| Title |
ISRAEL PUTNAM ESQR. MAJOR GENERAL of the Connecticut Forces, and COMMANDER in CHIEF at the Engagement on BUNCKERS-HILL near BOSTON, 17 June 1775. |
| Image technique |
Mezzotint |
| Narrative description |
Israel Putnam. |
| Subject |
American Revolution. Portraits. |
|
1775
CHARLES LEE, ESQR. MAJOR GEN
American Revolution. Portrai
[London]
| Title |
CHARLES LEE, ESQR. MAJOR GENERAL of the CONTINENTAL-ARMY in AMERICA. |
| Image technique |
Mezzotint |
| Narrative description |
Major General Charles Lee. |
| Subject |
American Revolution. Portraits. |
|
1775
The PATRIOTICK BARBER of NEW
American Revolution.
London.
| Title |
The PATRIOTICK BARBER of NEW YORK, OR THE CAPTAIN IN THE SUDS. |
| Image technique |
Mezzotint |
| Narrative description |
A New York barber, Jacob Vredenburgh, refused to complete the shave of British navy Captain John Crozer when informed of his identity. The Sons of Liberty praised the Barber's patriotism. Images include: a barber shop, wig shop, portrait of William Pitt, portrait of Chief Justice Charles Pratt, Baron Camden, William Pitt, Earl Chatham, Sons of Liberty. |
| Subject |
American Revolution. |
|
1775
THE POLITICAL CARTOON, FOR T
North Administration (Januar
[London]
| Title |
THE POLITICAL CARTOON, FOR THE YEAR 1775. |
| Image technique |
Engraving |
| Narrative description |
A carriage is driven towards a chasm. England and George III are driven to destruction by political advisors. Images include: America in flames, British people, John Stuart, Earl of Bute, as a footman, Charles Pratt, Baron Camden, in wig and robes, William Pitt, Earl Chatham, with crutches, Scottish clerks, the Devil, George III, King of England, William Murray, Earl Mansfield, with a whip, Frederick, Lord North, Obstinacy, as a horse, Pride, as a horse. |
| Subject |
North Administration (January 1770-March 1782). American Revolution. |
|
1775
The SCOTCH BUTCHERY, Boston
American Revolution. North A
[London]
| Title |
The SCOTCH BUTCHERY, Boston 1775. |
| Image technique |
Engraving |
| Narrative description |
British measures against the colonies are ascribed to the influence of Bute. According to BM, the scene may depict the retreat of British troops to Boston after Lexington, or the bombardment of Charlestown during the Battle of Bunker Hill. Images include: John Stuart, Earl of Bute, in highland dress, Simon Fraser, Master of Lovatt, British navy, Boston, William Murray, Lord Mansfield, in wig, robes, and coronet, English soldiers, horrified, Scottish soldiers, Alexander Wedderburn, Solicitor General. |
| Subject |
American Revolution. North Administration (January 1770-March 1782). |
|
1775
Bunkers Hill, or the blessed
North Administration (Januar
[London]
| Title |
Bunkers Hill, or the blessed effects of Family quarrels. |
| Image technique |
Engraving |
| Narrative description |
The Battle of Bunker Hill. Images include: American colonies as an Indian with tomahawk and knife, Britannia with a spear, John Stuart, Earl of Bute, in the clouds, France stabbing Britannia, Frederick, Lord North, in the clouds, Spain piercing Britannia's shield, William Murray, Earl Mansfield, in the clouds with a demon. |
| Subject |
North Administration (January 1770-March 1782). American Revolution. |
|
1775
The Council of the Rulers, &
North Administration (Januar
[London]
| Title |
The Council of the Rulers, & the Elders against the Tribe of ye Americanites. |
| Image technique |
Engraving |
| Narrative description |
Confrontation in the House of Commons between pro- and anti-American factions. Images include: Serjeant Glynn in lawyer's robes, map of North America in flames, Frederick, Lord North, bribing, John Wilkes in mayoral robes and chain. |
| Subject |
North Administration (January 1770-March 1782). Tension between Britain and the American colonies. |
|
1775
SIX-PENCE A DAY.
American Revolution
[London]
| Title |
SIX-PENCE A DAY. |
| Image technique |
Engraving |
| Narrative description |
British anti-recruiting satire. The calamities faced by a British soldier sent to fight in the American colonies are contrasted with the good life of the English worker. Images include: sedan chair carrier (chair man), chimney sweep, coachman, Famine, American soldiers, British soldiers. |
| Subject |
American Revolution |
|
1775
The Retreat From Concord to
American Revolution.
[London]
| Title |
The Retreat From Concord to Lexington of the Army of Wild Irish Asses Defeated by the Brave American Mlilitia. |
| Image technique |
Etching |
| Narrative description |
Battles of Lexington and Concord. Images include: American soldiers, British soldiers with asses' heads, burning houses. |
| Subject |
American Revolution. |
|
1775
THE CONTRAST
American Revolution. Stamp A
[London]
| Title |
THE CONTRAST |
| Image technique |
Engraving |
| Narrative description |
Nurturing of resources for future good vs. destruction for immediate gain. An appeal for conciliatory measures towards the colonies for the best interests of trade and the mother country. Images include: commerce as a milk cow branded with a "stamp", American colonies as a woman, John Wilkes, as mayor of London. |
| Subject |
American Revolution. Stamp Act. |
|
1775
AMERICA in FLAMES.
North Administration (Januar
[London]
| Title |
AMERICA in FLAMES. |
| Image technique |
Woodcut |
| Narrative description |
Boston Port Bill. Britain fans the fire of American discontent with inflammatory legislation. Images include: America As an old woman surrounded by flames, Boston Tea Party as a teapot, John Stuart, Earl of Bute, in highland dress fanning the flames, the Devil, William Murray, Earl Mansfield, in wig and robes fanning the flames, Frederick, Lord North looking through a lorgnette, John Wilkes. |
| Subject |
North Administration (January 1770-March 1782). |
|
1775
The CONGRESS or the NECESSAR
American Revolution.
[London]
| Title |
The CONGRESS or the NECESSARY POLITICIANS. |
| Image technique |
Engraving |
| Narrative description |
British reaction to resolutions of the first Continental Congress (September 5 to October 29, 1774). British politicians in a latrine, or "necessary house." Images include: tarring and feathering, John Wilkes, as Mayor of London. |
| Subject |
American Revolution. |
|
1775
The Thistle Reel.
North Administration (Januar
[London]
| Title |
The Thistle Reel. |
| Image technique |
Engraving |
| Narrative description |
Quebec Act. Bute, Mansfield, and North dance around a thistle. British policy against America inspired by Bute and Scottish influence. Images include: John Stuart, Earl of Bute, in court dress, the Devil playing a bagpipe, William Murray, Earl of Mansfield, in wig and robes, thistle, Lord North with a lorgnette. |
| Subject |
North Administration (January 1770-March 1782). |
|
1776
Miss CAROLINA SULIVAN one of
American Revolution
[London]
| Title |
Miss CAROLINA SULIVAN one of the obstinate daughters of America 1776 |
| Image technique |
Etching |
| Narrative description |
British defeat at Sullivan's Island, South Carolina. The obstinate daughter of America, who resembles William Pitt, wears an elaborate hairstyle decorated with scenes from the battle of Sullivans Island. |
| Subject |
American Revolution |
|
1776
COLONEL ARNOLD. Who Commande
American Revolution. Portrai
London
| Title |
COLONEL ARNOLD. Who Commanded the Provincial Troops sent against QUEBEC, through the Wilderness of Canada, and was Wounded in Storming that City, under General Montgomery. |
| Image technique |
Mezzotint |
| Narrative description |
Benedict Arnold's aggressive attacks on Fort Ticonderoga, Quebec, and Saint Johns earned his reputation as a leading figure in the war. Images include: Quebec. |
| Subject |
American Revolution. Portraits. |
|
1776
[Lord North robbing the exch
North Administration (Januar
[London]
| Title |
[Lord North robbing the exchequer] |
| Image technique |
Etching |
| Narrative description |
Images include: Jeremiah Dyson as "Mungo" (a black slave in popular farce), Frederick, Lord North, stealing, George Townshend, Viscount Townshend, Britannia prostrate. |
| Subject |
North Administration (January 1770-March 1782) |
|
1776
PARK-CHARACTER.
Social satire.
[London]
| Title |
PARK-CHARACTER. |
| Image technique |
Etching. |
| Narrative description |
Perhaps a caricature of a doctor. |
| Subject |
Social satire. |
|
1776
BUNKERS HILL or America's He
North Administration (Januar
[London]
| Title |
BUNKERS HILL or America's Head Dress |
| Image technique |
Engraving |
| Narrative description |
A lady's elaborate hair dress is decorated with scenes of North American battles. Belittles the American military efforts at Bunker Hill, reflecting the popular English sentiment that not enough was being done to contain the rebellion. |
| Subject |
North Administration (January 1770-March 1782). American Revolution. |
|
1776
COMMODORE HOPKINS, COMMANDER
American Revolution. Portrai
London
| Title |
COMMODORE HOPKINS, COMMANDER in CHIEF of the AMERICAN FLEET. |
| Image technique |
Mezzotint |
| Narrative description |
Esek Hopkins. Images include: American flag, liberty tree, American navy. |
| Subject |
American Revolution. Portraits |
|
1776
The Yankee Doodles Intrenchm
American Revolution.
[London]
| Title |
The Yankee Doodles Intrenchments Near Boston 1776 |
| Image technique |
Etching |
| Narrative description |
American soldiers, entrenched behind palisades, wait for the onslaught of British troops. |
| Subject |
American Revolution. |
|
1776
THE WISE MEN of GOTHAM and t
North Administration (Januar
[London]
| Title |
THE WISE MEN of GOTHAM and their GOOSE |
| Image technique |
Mezzotint, colored |
| Narrative description |
John Stuart, Earl of Bute, severs the neck of the goose that laid the golden eggs (America). Attributes to Bute the inflammatory measures taken against the colonies. Images include: map of North America, North America as a goose, portrait of Britain as a sleeping lion. |
| Subject |
North Administration (January 1770-March 1782). American Revolution. |
|
1776
The female combatants or who
American Revolution.
[London]
| Title |
The female combatants or who shall [trimmed with loss of text] |
| Image technique |
Etching |
| Narrative description |
Britain and America face off against one another. Images include: America as an Indian, Britain as a woman of fashion, French influence as a cock, liberty cap, British oak, dying, Liberty tree, thriving. |
| Subject |
American Revolution. |
|
1776
DAVID WOOSTER, ESQR. Command
American Revolution. Portrai
London
| Title |
DAVID WOOSTER, ESQR. Commander in Chief of the Provincial Army against QUEBEC. |
| Image technique |
Mezzotint |
| Narrative description |
David Wooster. Images include: walls of Quebec. |
| Subject |
American Revolution. Portraits. |
|
1776
MAJOR GENERAL JOHN SULLIVAN,
American Revolution. Portrai
[London].
| Title |
MAJOR GENERAL JOHN SULLIVAN, A distinguished OFFICER in the CONTINENTAL ARMY. |
| Image technique |
Mezzotint |
| Narrative description |
John Sullivan. |
| Subject |
American Revolution. Portraits. |
|
1776
MAJOR ROBERT ROGERS, Command
American Revolution. Portrai
London
| Title |
MAJOR ROBERT ROGERS, Commander in Chief of the INDIANS in the Back Settlements of America. |
| Image technique |
Mezzotint |
| Narrative description |
Robert Rogers. Images include: Indians of North America. |
| Subject |
American Revolution. Portraits. |
|
1776
FRONTISPIECE. [See the dread
American Revolution
[London]
| Title |
FRONTISPIECE. [See the dread Harbinger of human Woe]. |
| Image technique |
Etching. |
| Narrative description |
Images include: Mercury, Britannia, John Stuart, Earl of Bute. |
| Subject |
American Revolution |
|
1776
The Parricide. A Sketch of M
North Administration (Januar
[London]
| Title |
The Parricide. A Sketch of Modern Patriotism. |
| Image technique |
Mixed method |
| Narrative description |
Britannia attacked by America and the British lion. Reaction against ministers who supported the American cause. Images include: John Wilkes, America as a woman in a feathered headdress, Charles Pratt, Baron Camden, William Pitt, Earl Chatham, Discord wieiding torches, Charles James Fox as a fox, Augustus Henry Fitzroy, Duke of Grafton, George Hayley, Sheriff of London (1775-76). |
| Subject |
North Administration (January 1770-March 1782). American Revolution. |
|
|